“Lena and Tanya” by Voronin
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Voronin has created some stunning photographic achievements in this unique gallery that features the mature Lena and Tanya. This blonde duo presents an aura of united confidence in their respective attractiveness. Voronin has ingeniously selected two equally appealing women so that they compliment one another.
Astrength of this amazing gallery is the simplicity that the series embraces. The two models pose in front of black drapes so that they are truly the focus of the gallery. There are no busy backgrounds to distract from the ripened and seasoned sensuality these women possess. Their skin tones are illuminated against a wall of nothingness. Their fair locks are straight and unpretentious. They appear immediately with their flesh exposed and unadorned by the typical devices of lingerie.
The close-up photographs of Lena and Tanya showcases the two models’ classic beauty. Their hair shimmers with the same hue of blonde though Tanya’s tresses are styled into a shorter bob that curls around her spectacular face. Lena’s hair trails freely over her shoulders and back. Lena poses with her body pressed against Tanya’s form. She gently cups one of Tanya’s breasts and a sense of intimacy between the women is clearly visible. These up close photographs present the faces of the women side-by-side. These creatures’ loveliness is magnified when they appear intertwined. The smoothness of their skin is continuous. The intensity of their gaze is intensified.
Voronin creates several amazing prints by capturing Lena sitting upon a covering of black material with her legs bent at the knee and leaning slightly back. Tanya stands in the forefront of the photograph with her legs spread far enough apart to frame Lena’s presence in the distance. The composition of these photographs is indicative of Voronin’s mastery of his craft. The artistry is undeniable.
A shiny silver ladder is incorporated into the second half of the photo shoot. Lena and Tanya’s bodies glisten like the metal material of the prop. Oil has been applied to their skin to accentuate the sleekness of their physiques. The oils heighten the highlights of these models’ curves and tan skin tones. Lena and Tanya lean and perch upon the steps of the ladder and upon each other throughout these photographs.
Some of the most erotically suggestive prints in this gallery unfold at the end of the series. Lena assumes a position of submission by kneeling on her hands and knees in front of Tanya. Her buttocks are pressed against Tanya’s parted thighs as she kneels on her knees directly behind Lena. The suggestion is clearly one of Tanya’s dominance. The pose is also played out with the models assuming opposite positions. This equal opportunity is another testament to the balance that Voronin maintains throughout this gallery.





